Pierre Miller Design
Eye-level street view of the First National Bank tower, a tan Art Deco skyscraper rising full height to the roofline with vertical limestone piers and repetitive window bays, a dark recessed entrance arch, flanking 'First National Bank' signs, an etched 'Metropolitan Savings and Loan Company' frieze above the entrance and a neighbouring white building to the right against a clear pale blue sky
Double glass doors with 'First National Bank' lettering and a 'Welcome' sign, framed in ornate Art Deco bronze metalwork with a fan-like transom grill, set into pale limestone walls beneath a geometric gold and green ceiling, looking into the lobby with an 'FDIC' counter
Art Deco elevator lobby with two dark wood elevator doors flanked by brass pillars with leaf relief filigree, a decorative geometric soffit, marble walls and a call-button panel with fire-exit signage
Curved internal staircase with light stone treads, dark-patterned riser tiles and a brass handrail with ornamental balusters, beside a multi-coloured striped wallpaper wall
Low-angle view of the ornate Art Deco lobby ceiling with a repeating diamond and octagonal medallion pattern in gold, cream and green, and two brass cylinder pendant lights with exposed bulbs

Other Projects

Daytime street elevation of the Brooklyn building — a curved cast-stone and brick façade with cascading planted balconies between neighbouring townhouses

Park Place

Living room with a curved ivory bouclé sofa, a coffee table on a textured rug, a flagstone feature wall with a wall-mounted screen above a linear fire on a black marble base, LED-lit oak shelving, a floor-to-ceiling window onto green landscape and a tray ceiling with cove lighting and black linear pendants

29 Valley

Living room with a marble fireplace wall and wall-mounted screen framed by backlit walnut shelving, rounded bouclé armchairs and travertine coffee tables on a woven rug, a cascading gilded-leaf chandelier and a black-and-white chequerboard marble floor beside a glass-doored garden view and an illuminated floating stair

Odze Residence

Symmetrical front elevation of the timber-clad synagogue at golden hour, its steep gable filled with a black steel-framed glass wall, a linear fire glowing inside, stone plinths, clipped hedging and a paved forecourt

Woodstock

Living area with a large beige L-shaped sectional sofa and dark brown throw pillows on a shaggy rug over herringbone oak flooring, an open-tread wood and glass staircase rising beside a multi-pane floor-to-ceiling window onto greenery, light oak vertical wall panelling, two beige armchairs near a white pedestal table and rounded earth-toned ceramic pots with small trees in strong diagonal sunlight

23 Dike

Curved staircase with wooden treads and a black oval-loop ironwork balustrade beneath a multi-tiered crystal chandelier, paired gold wall sconces, a sculptural stone console with white flowers under the stairs, a potted olive, panelled plaster walls and a marble floor with a brass inlay border opening onto herringbone oak

Amherst

Centered view of a Sub-Zero showroom kitchen on large-format beige stone tile, with a multi-level island — a stone counter with four rounded off-white stools on dark wood bases beside a lower rounded-edge timber section — vertical wood panelling, a marble backsplash with integrated LED strip, a wall-mounted SUB-ZERO sign, integrated appliances, track and recessed ceiling lighting, a linear pendant over the island and perimeter cove lighting

All Home Appliance Showroom

Symmetrical residents' lounge with two cream tufted lounge chairs flanking a round stone pedestal coffee table, a backlit dark-wood shelving wall on a textured stone backdrop, warm vertical wood panelling with a floor LED strip to the left and a backlit cylindrical stone column beside a diamond-grid glass partition on a pale stone floor

405 Union

Daycare reception with a curved off-white desk on oak flooring, a backlit Cuddles bunny logo on a textured beige wall, pastel pink and sage acoustic ceiling clouds, a long rose-cushioned bench with planted shelving, rabbit figurines and a neon pink bunny outline, and a soft beige rug

Cuddles Daycare

Symmetrical dining room with a long table set for guests in sand-colored upholstered chairs with dark wood frames, a dark amber glass vase of white flowering branches at the center, an oval textured glass-block linear chandelier above, three warm-lit recessed marble-backed shelves with books and sculptures behind and a wall of sheer-curtained floor-to-ceiling windows to the side over a textured rug and polished marble floor

19 House

Long view down the coffee bar with an under-lit terracotta timber counter, blackened steel display shelving in the foreground, hanging greenery, louvred windows onto the street and a pressed-tin ceiling

Ecko Pharmacie Cafe

View from a stair landing through a glass balustrade into a bright dining room, with an oak table set with dark spherical vases of greenery and white flowers, six beige upholstered chairs on star-shaped swivel bases, a full-height sheer-curtained window wall and tall upper windows onto trees, recessed ceiling pots and warm sunlight across the oak floor

265

Main entrance with an arched green door in scrolled ironwork over timber, gilded 'The Pierre House' lettering on the cast-stone lintel, bronze lanterns and green railings

The Pierre House

Vertical golden-hour view of the poolside pavilion — a curved swimming pool in the foreground with reflections on turquoise water, a dark paved deck, a green lawn bordered by an evergreen hedge, the black brick outdoor kitchen structure with a long horizontal window and five black bar stools, a red brick accent wall and mature deciduous trees under a soft blue sky

Tiki House

Rooftop terrace at golden hour beside a landmark brick bell tower, with a mirror-polished amber resin floor on a black steel grid, marble-topped timber benches, tall reeds and a copper curtain screen open to the skyline

Broadway Rooftop

Portrait rendering of a classic-meets-modern beige stone building at a street corner, with a rounded corner entrance marked 196, KRAUSZ BROTHERS signage in dark serif above wraparound ground-floor windows, multiple floors of arched windows, inset balconies with glass railings and potted greenery, a stepped-back upper massing, framed by trees and neighbouring buildings with a black SUV and silver sedan on the street under a clear light-blue sky

LEE AVE

Open-plan living and dining room under a warm oak ceiling in afternoon light, with a cream sectional and bench on a woven rug, a round oak coffee table with a sculptural vase and book, a deep brown velvet armchair under three tapered white pendants, a dining table with curved cream chairs, the kitchen with stone island and stools beyond and a corridor leading back to a dark-leaved plant and a textured-line artwork

Virginia St

Centered living room view with a coffered ceiling and linear recessed lighting, a long light-grey fabric sofa, oval black coffee table, grey armchair with a sage-green circular ottoman, two long gold wall sconces, three colour-field canvases on the right wall and a view through the balcony door to trees, outdoor seating and the skyline beyond

Miami Penthouse

Living room under a coffered wood-beam ceiling with track lighting, a large warm abstract painting above a floating timber credenza on a stone feature wall, LED-lit corner shelving, a round dark marble coffee table on a cream rug, two cream bouclé lounge chairs and a knit pouf beside sheer-curtained windows onto trees over herringbone oak flooring

Woodstock: Guest House

Pharmacy-cafe interior with a light-wood service counter and curved glass display case of baked goods under two black dome pendants, a tall black cast-iron column, modular light-wood shelving of white apothecary bottles and wine, an exposed brick back wall in warm afternoon sun, a pressed-tin ceiling with track and rectangular black-frame light fixtures over a light grey tile floor

Ecko Pharmacie Landmark

Vertical dusk rendering of a multi-storey apartment building with a central light-grey stone pillar flanked by white brick façades, five levels of recessed balconies with rounded corners and integrated planters, warm interior glow behind floor-to-ceiling windows, a glass street-level doorway with the number 226, heavy landscaping of low bushes and small trees, framed by neighbouring red and beige brick buildings and dark tree branches under a blue-to-gold sunset sky

Underhill Building